BARENREITER - 345062
Mozart Concert Arias for Bass
Composer: Wolfgang Amadeus Mozart
Publisher: Barenreiter
Instrument: Voice
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Mozart Concert Arias for Bass
Juilliard Store
Pickup available, usually ready in 2 hours
144 West 66th Street
New York NY 10023
United States
Editor: Seedorf, Thomas
Arranger: Beyer, Christian
Orchestral scoring : BSolo/piano
Product format: vocal score, Urtext edition, Anthology
Binding: Stapled
Pages / Format: V, 42/29 - 30,0 x 23,0 cm
This vocal score of Mozart’s concert and insert arias is based on the New Mozart Edition (NMA).
The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
• Underlaid text presented in the original language only
• All aria texts translated into German and English and printed separately
• Idiomatic piano reduction to the individual arias
• Clear and legible layout of the musical text
• Additional notes and suggestions on performance practice in the accompanying booklet
• Performance material on hire to each aria
(Please refer to the relevant volume for further information)
Contents
Recitativo “Così dunque tradisci” – Aria “Aspri rimorsi atroci” K. 432 (421a)
Recitativo “Alcandro, lo confesso” – Aria “Non sò d’onde viene” K. 512
Aria “Mentre ti lascio, oh figlia” K. 513
Kriegslied “Ich möchte wohl der Kaiser sein” K. 539
Aria “Un bacio di mano” K. 541
Aria “Per questa bella mano” K. 612
Aria “Io ti lascio, oh cara, addio” K. Anh. 245 (621a)
The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
• Underlaid text presented in the original language only
• All aria texts translated into German and English and printed separately
• Idiomatic piano reduction to the individual arias
• Clear and legible layout of the musical text
• Additional notes and suggestions on performance practice in the accompanying booklet
• Performance material on hire to each aria
(Please refer to the relevant volume for further information)
Contents
Recitativo “Così dunque tradisci” – Aria “Aspri rimorsi atroci” K. 432 (421a)
Recitativo “Alcandro, lo confesso” – Aria “Non sò d’onde viene” K. 512
Aria “Mentre ti lascio, oh figlia” K. 513
Kriegslied “Ich möchte wohl der Kaiser sein” K. 539
Aria “Un bacio di mano” K. 541
Aria “Per questa bella mano” K. 612
Aria “Io ti lascio, oh cara, addio” K. Anh. 245 (621a)